How could so many people convince themselves that it was cheery?” Continue reading →. With The Treasure of the Sierra Madre, director John Huston was able to take the monumental themes of Von Stroheim’s Greed (1924) and Chaplin’s The Gold Rush (1925) and create something that was both thrilling and profound. The handsome younger brother of Shirley MacLaine was all over his films, not just starring (McCabe and Mrs. Miller), but writing (Shampoo), producing (Bonnie and Clyde) and casting. And by the ’80s, Brian De Palma made it both deliciously over-the-top in Scarface (1983) and nostalgically throwback in The Untouchables (1987). And to scream as those shower rings ripped open and a knife blade chopped to Bernard Herrmann’s screeching strings! Dear Twitpic Community - thank you for all the wonderful photos you have taken over the years. Thus, he concocts a potion to turn himself into Buddy Love, an alter-ego he fancies as “the world’s greatest everything, the best dressed, the swingingest performer and one of the nicest guys in the whole world.” In reality, he’s rude as can be. for the rest of the ’70s, the entire ’80s, and most of the ’90s — a master of his medium who answers to no one. But before Alan Alda there was Donald Sutherland (Ordinary People). Perhaps. It was a time when the silent era was folding and in its place emerged a new studio system full of specialization. But the result is a movie only Woody Allen could have done, existing more as a witty romance than a laugh-out-loud venture like Annie Hall, a romantic dramedy more than a romantic comedy. Because, after all, Allen is first and foremost a movie lover, finding his ultimate expression of that love here in this underrated gem. And for 22 glorious years, Martin Scorsese and Robert DeNiro. It’s a stinging take on familiar territory, following a similar plot as Sidney Furie’s The Boys in Company C (1978) and borrowing much from Kubrick’s own work: the battle scenes of Paths of Glory (1957), the training sequence of Spartacus (1960), the absurd war commentary of Dr. Strangelove (1964), the evolution of man to machine of 2001: A Space Odyssey (1968), the brainwashing effect of A Clockwork Orange (1971) and the possessed death stare of The Shining (1980). In 2002, director Bob Clark reported an estimated 38.4 million people tuning into the marathon at some point in the day, which was almost one sixth of the country. It’s not even that good. In this atmosphere, it’s not man vs. nature, but man vs. man-made circumstances, both socially — with limited class mobility — and physically — trapped in the proverbial “concrete jungle.” It was his most personal work, far less successful at the box office, but far more renowned by academics decades later. Despite being preoccupied with a gambling addiction, Detroit genuinely loves his girlfriend, Adelaide (Vivian Blaine), and argues that women are a necessity. Continue reading →. Not far off from the final scene of A Star is Born, Garland stepping out on stage for a benefit concert, and famously addressing the audience: “Hello, everybody. And where would he be without Mean Streets? Exactly a month later, they would pass the torch to their heir apparents, the Apatow-Rogen crowd, using common links forged back on Anchorman: The Legend of Ron Burgundy (2003) — producer Apatow, bit actor Rogen and supporting actor Steve Carell. (A) Though both Blood and Bounty today carry strong support amongst scholars, Bounty’s brutal Captain Bligh is more acclaimed than Flynn’s Captain Blood. It was the first foreign film ever to be nominated for the Academy Award for Best Picture — and should have won over Capra’s You Can’t Take It With You (1938). Voted the No. As star Robert Mitchum says, “If I have to [die], I’m gonna die last.” This tone makes Out of the Past the epitome of film noir, and a must-see for viewers claiming at least slight interest in the genre. But for each of these, there is a film professor somewhere, pleading audiences to give Sirk his due. / He made a vow while in State’s Prison / Vow’d it would be my life or his and / I’m not afraid of death, but O, / What will I do if you leave me? Always forward looking, Walt continued to push the limits of how he could make his product unique, signing an exclusive contract with Technicolor in 1932, and creating some of the first cartoons in color, from his Silly Symphony shorts, to his massive hit The Three Little Pigs (1933), which had Depression era Americans, young and old, defiantly humming “Who’s Afraid of the Big Bad Wolf?” Continue reading →, In 1969, American moviegoers were shown plenty of dark, honest looks into American society — the tragedy of poverty and confused faith in Midnight Cowboy, the acid trips and failed freedom movement of Easy Rider, and the ultra-violence and threat of aging in The Wild Bunch. A man who just by gazing into his sad eyes, spoke volumes about a disenchanted youth. “How many can I kill, Chino? Its box office release remains the No. So here’s the quick answer: The title actually comes from a piece of graffiti that playwright Edward Albee saw on a bar mirror while he was trying to brainstorm a title for his upcoming play. Perhaps this is because Confidential gets its Oscar-nominated score from Jerry Goldsmith, who gave Chinatown so much of its atmosphere. 2 Mystery of All Time, behind only Vertigo (1958). If you’re a fan of film noir, you should get down on your knees and thank God every day for 1944. Porn, XXX, Pussy, Sex and more! Instead, they went ahead on Fargo, an ultimate Oscar-winning success that legitimized the Coens as Hollywood power players. By the time it finally ran in 2011, giving her “A Place in the (Baltimore) Sun,” I had hoped the day would never come. It opened Pandora’s box to a special effects mindset of years of movie magic, but which, left in the wrong hands, has threatened to kill it. On the other hand, it’s been a privilege to bypass years of controversy over the film’s merits, and view it with the certainty that what I’m witnessing is a masterpiece. To be seen through, cut down, even obliterated.”. The result was a film full of warmth, charm and touching honesty, catipulting the film to the forefront of the genre and launching Crowe to an Oscar nomination for Jerry Maguire (1996) and an Oscar win for Almost Famous (2000). Continue reading →. Jarmusch got a measure of retribution at the 1984 Cannes Film Festival, where Paradise won the Camera D’Or on the same night his mentor, Wenders, won the top prize, the Golden Palm, for Paris, Texas (1984). It reaches in and opens you wide, and you stay that way. Each was undoubtedly the most graphic film at its respective release date and faced tough censorship. But Jacket was really just the last in Stanley Kubrick’s continued interest in the horrors of war, of which Paths of Glory was his first, and arguably better, effort. Their careers began over a century ago, as a family vaudeville act in New York. Continue reading →. Having just graduated from high school, they put off growing up by spending the summer days taking high dives off a rock quarry and wondering what perks, if any, come from turning 19. A former professor of mine swore by Big Fish (2003). “The way our great director Bob Zemeckis would describe it,” said Gary Sinise, “sometimes we thought we were making Citizen Kane and other times we thought Roger Rabbit.” Is Forrest Gump a profound commentary like Kane, or an effects-driven romp like Roger Rabbit? It’s safe to say that Luis Bunuel’s The Discreet Charm of the Bourgeoisie is unlike any other film I’ve seen. Even fewer have had such an impact on future filmmakers, like Paul Thomas Anderson, who watched it every night while writing There Will Be Blood (2007). Can you imagine a modern comedian, say, Will Ferrell, being so recognizable a century from now? Legendary French director Jean Renoir (The Rules of the Game) goes as far as crediting Lubitsch with inventing modern Hollywood. If you think a $300,000 movie from 1965 can’t disturb the hell out of you, pop this one into the DVD player. Boyz n the Hood was the trend setter. Or does the moral arc of the universe not only bend toward justice, as Dr. King said, but also to cinematic influence? With a name so synonomous with animation, Walt Disney rarely receives the credit he deserves for his company’s mid-20th Century collection of live action classics — films like Davy Crockett (1955), Old Yeller (1957), The Shaggy Dog (1959), Swiss Family Robinson (1960), The Parent Trap (1961) and The Love Bug (1968). Since 1997, the Turner networks have broadcast the film on 24-hour TV marathons every Christmas, allowing one to conceivably watch A Christmas Story 12 times in a row if they like. Towns you never heard of. Say, with all the hits you’ve had, you oughta be worth plenty.” “Yeah, I oughta be, but I’m not. Those viewers who adore the film for its masculine brutality and mimick it as such are missing the entire point, that the material is really an indictment, a mockery, of such behavior. Or is he just a guy with a great imagination and a keen eye for commercial success? I came to Paris to study and to paint because Utrillo did, and Lautrec did, and Roualt did. The father’s challenge: Lucky will go to New York City and, through a little tapdancing and a lot of gambling, win the necessary $25,000 to pay the dowry. Tragically fitting, Garland’s life only last 15 years after A Star is Born, stamping the film as the midway point of a 30 year career that ended in showing off that powerful voice of hers in concert halls across the country. With him, Kazan brought his entire cast from the original Broadway production, save for Tony-winning lead Jessica Tandy (The Birds, Driving Miss Daisy), whom the studio replaced with Vivien Leigh, an actress of bigger box office potential just a decade after playing Scarlett O in Gone With the Wind (1939). In 2007, ESPN ran a commercial where the Boston Celtics “Big 3” of Kevin Garnett, Ray Allen and Paul Pierce watch Hoosiers during a long road trip. But predating all of those films was a revolutionary picture that shocked audiences in August ’67, a film with unprecedented violence and simmering sexuality, film’s greatest indication that the times they were a changin’, the one and only Bonnie and Clyde (1967). Continue reading →. This tried-and-true approach has worked brilliantly from Inherit the Wind to A Few Good Men to Philadelphia. Dyk ned i artikelarkivet og find informationer om finansverdenen, aktiemarkedet og erhvervslivet siden 1996 The film dominated the Golden Globes, winning Best Picture, Actor (Jack Nicholson), Director (Polanski) and Screenplay (Robert Towne), and it would have repeated at the Oscars if it weren’t for The Godfather: Part II (1974). Throughout his impressively authentic body of work, one masterpiece stands out above the rest: Pickup on South Street. Film buffs know Dunaway’s chilling role all too well, screaming “No wire hangers!” as one of the AFI’s 50 Greatest Villains. It was during one of my first internships at The Baltimore Sun, when we heard the actress was on her death bed. It’s a disease that’s affected many, including Stephen Hawking, but carries the name of only one. For years, rarely was an actor so involved with his projects quite like Warren Beatty. 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